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"Acrobat" is a song by rock band U2, and is the eleventh track on their 1991 album Achtung Baby. The song developed from a riff created by guitarist the Edge, and is played in a 12 8 time signature. [1] Lyrically, the song expresses themes of hypocrisy, alienation, and moral confusion.
"With or Without You" has become one of U2's best-known songs, and it often appears in music critics' rankings of the best songs of all-time. In 2000, the song appeared at number eight on Rolling Stone ' s list of "100 Greatest Pop Songs", compiled by Rolling Stone and MTV music critics to rank songs released since The Beatles ' breakthrough ...
After a further ten seconds it is joined by lower-register guitar drones played by the Edge, and a repetition of eight descending piano notes performed by the Edge and Bono. [10] Forty-five seconds into the song, halfway through the introduction, Clayton's bass and percussion by drummer Larry Mullen Jr. fade into the song with producer Jacknife ...
Adam Charles Clayton (born 13 March 1960) is an English-Irish musician who is the bass guitarist of the rock band U2. [1] Born in Oxfordshire, England, he lived in County Dublin, Ireland after his family moved to Malahide in 1965, when he was five years old.
On the Innocence + Experience Tour, it was played on the e-stage in a stripped-down version, with the Edge playing acoustic guitar and Bono joining in on the piano about halfway through the song. During the band's 2023–2024 concert residency U2:UV Achtung Baby Live at Sphere , it was played with the Edge on acoustic guitar while Bono joined ...
Sunday Bloody Sunday" is the opening track and third single from U2's 1983 album, War. The song is noted for its militaristic drumbeat, simple but harsh guitar, and melodic harmonies. [73] One of U2's most overtly political songs, its lyrics describe the horror felt by an observer of The Troubles in Northern Ireland.
"Acrobat" (U2 song), from U2's album Achtung Baby "Acrobat", a song from Maxïmo Park's album A Certain Trigger "Acrobat" (Jo Gwang-il song), from Jo Gwang-il's album Dark Adaptation; Acrobat Records, an American independent record company
Bono said that it was "a bass line in search of a song", while the Edge stated that "the key to the song was finding ways to mess around with chords on top without having to change the bass". [6] As U2 continued to struggle with the song, the tense atmosphere of the recording sessions at Hansa Studios in Berlin took its toll.