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Oswaldo Guayasamín won first prize at the Ecuadorian Salón Nacional de Acuarelistas y Dibujantes in 1948. He also won the first prize at the Third Hispano-American Biennial of Art in Barcelona in 1955. In 1957, at the Fourth Biennial of São Paulo, he was named the best South American painter.
The painter Oswaldo Guayasamín's La Capilla del Hombre ("The Chapel of Man") occupies a site in Bellavista overlooking the city of Quito, Ecuador. The Capilla is a purpose-built art museum dedicated to the peoples of Latin America. Construction of Guayasamín's masterpiece began in 1995 and unfortunately was not completed until 2002, after his ...
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The Quito School (Escuela Quiteña) is a Latin American colonial artistic tradition that constitutes essentially the whole of the professional artistic output developed in the territory of the Royal Audience of Quito – from Pasto and Popayán in the north to Piura and Cajamarca in the south – during the Spanish colonial period (1542–1824 ...
In 1974, he worked on the project Huayra Huanca (El origen del tiempo), which was commissioned by the Mexican government in accordance with a proposal by Oswaldo Guayasamín. In 1962, he participated in a contest for the New City Hall building of Quito, for which he was awarded a prize. Unfortunately his design was never built.
Oswaldo Castillo, Nicaraguan-American gardener/construction worker-turned-actor; Oswaldo Cruz (1872–1917), Brazilian physician, bacteriologist, epidemiologist and public health officer; Oswaldo Cruz Filho, Brazilian chess master; Oswaldo de la Cruz, Peruvian politician and a Congressman; Oswaldo de Oliveira (born 1950), Brazilian football manager
Juan Manuel Guayasamin (born 1974) is an Ecuadorian biologist. He earned his Ph.D. in 2007 from University of Kansas , Department of Ecology and Evolutionary Biology and as of 2017 he is working as professor at Universidad San Francisco de Quito in Ecuador .
Viteri was born on 8 October 1931. [1] He began his education as a student of architecture at the Central University of Quito in 1951. Viteri worked in the workshop of Oswaldo Guayasamín and in 1959 assisted him on a mural commission for the Ministry of Public Works. During the 1960s he focused on painting and studying anthropology and folklore.