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Pat Halcox, trumpeter with the Chris Barber Band since 31 May 1954, retired after playing his last gig with the Big Chris Barber Band on 16 July 2008. Halcox and Barber were together in the band for 54 years – the longest continuous partnership in the history of jazz, exceeding even that of Duke Ellington and Harry Carney (48 years between ...
Christopher John Barber (born in 1975 or 1976), and usually known as Chris Barber, is a Canadian trucking company operator, and activist who co-led the Canadian convoy protest. He was arrested on February 17, 2022 and released on bail the next day. His courtroom defence had yet to be heard as of January 2024. [1]
Following the Chris Barber instrumental recording, lyrics were added by Fernand Bonifay and Mario Bua in the same year. A different set of lyrics was written by Paddy Roberts where the song was recorded by Teddy Johnson and Pearl Carr in 1959. [5] Petula Clark recorded the song in French and it was included in her album Hello Paris (1962). [6]
Chris Barber and his wife, Anne [12] had met at their Quaker schools in York. [13] They married in January 1952. A son is the educationist Sir Michael Barber. [14] Both were active in local, regional and national Quaker activities.
Anna Ottilie Patterson (31 January 1932 – 20 June 2011) was a Northern Irish blues singer best known for her performances and recordings with the Chris Barber Jazz Band in the late 1950s and early 1960s.
Chris Barber (1930–2021) was a British jazz musician. Chris or Christopher Barber may also refer to: Christopher Barber (painter) (1736–1810), English miniature painter; Chris Barber (philanthropist) (1921–2012), chair of Oxfam 1983–1989; Chris Barber (gridiron football) (born 1964), American gridiron football player
Christopher Edgar Barber (born January 15, 1964) is a former American and Canadian football defensive back in the National Football League (NFL), Canadian Football League (CFL), World League of American Football (WLAF) and Arena Football League (AFL).
Momma Don't Allow is a 1956 short British documentary film co-directed by Karel Reisz and Tony Richardson, and filmed by Walter Lassally. [1] Produced by the British Film Institute Experimental Film Fund, [2] it was first shown in February 1956 as part of the first Free Cinema programme at the National Film Theatre.