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A pink goat is usually saved for the final verse, as the repeated Voiceless velar plosive at the end of "pinc" is the most difficult to sing at any speed. For these reasons, the song is often used as a demonstration of the singers skill and is used as both a vocal warm up and a performative showstopper .
The song's refrain, as written on the sheet music, seems meaningless: Mairzy doats and dozy doats and liddle lamzy divey A kiddley divey too, wouldn't you? [4] However, the lyrics of the bridge provide a clue: If the words sound queer and funny to your ear, a little bit jumbled and jivey, Sing "Mares eat oats and does eat oats and little lambs ...
The Life of the World to Come is the twelfth studio album by the Mountain Goats, released on October 6, 2009. [1] The third track, "Genesis 3:23", was released as a free download via the band's website on July 28. The album peaked at #110 on the Billboard Top 200 albums on its chart debut.
"The Bird" is a song from the Time's third album, Ice Cream Castle. The song was initially recorded in the studio in 1983 with all instruments by Prince, except guitar, which was performed by Jesse Johnson. [1] This version was replaced by a live recording with the full band at the First Avenue on October 4, 1983. This is the first Time song to ...
The village of Killaloe mentioned in the song is a large village in east County Clare, Ireland. It had a population in 2011 of about 1,300. The women of the village take to wearing bustles to protect themselves from the goat. A bustle is a type of framework used to expand the fullness or support the drapery of the back of a woman's dress ...
While appearing on TODAY Jan. 17, Hoda Kotb asked if fans walk up to the two-time Oscar winner and quote the movie to her, including the way Dr. Hannibal Lecter (Anthony Hopkins) says the name of ...
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"Good Shepherd" originated in a very early 19th century hymn written by the Methodist minister Reverend John Adam Granade (1770–1807), "Let Thy Kingdom, Blessed Savior". [1] [2] [3] Granade was a significant figure of the Great Revival in the American West during the 19th century's first decade, as the most important author of camp meeting hymns during that time. [4]