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The Herald Angels sing, / 'Glory to the new-born King ' ". [2] In 1840—a hundred years after the publication of Hymns and Sacred Poems —Mendelssohn composed a cantata to commemorate Johannes Gutenberg 's invention of movable type , and it is music from this cantata, adapted by the English musician William H. Cummings to fit the lyrics of "Hark!
the King of angels: Come, let us adore (3x) the Lord. God of God, light of light, he who the pregnant maiden's organs bear, Very God, begotten, not created: Come, let us adore (3x) the Lord. Oh, that a choir of angels would sing; That the court of heaven would sing, Glory, glory to God in the highest, Come, let us adore (3x) the Lord.
Similarly, the Talmud describes the angels reciting Isaiah 6:3 and Ezekiel 3:12, and Jews reciting at least the first of those verses: Three groups of ministering angels say song each day; one says 'Holy', one says 'Holy', one says 'Holy is the Lord of hosts'. ... The ministering angels do not say song above until Israel says it below ...
Angels We Have Heard on High" is a Christmas carol to the hymn tune "Gloria" from a traditional French song of unknown origin called "Les Anges dans nos campagnes", with paraphrased English lyrics by James Chadwick [citation needed].
Rabbi Jacob Emden, in his prayerbook, Bet El (1745), criticized the use of the hymn on the grounds that supplications on the Sabbath and supplications to angels were inappropriate and the hymn's grammar—arguing that the inclusion of the prefix מִ at the beginning of every second line (i.e., mee-melech) was bad form, as it rendered the ...
The blessed angels sing. But with the woes of sin and strife The world has suffered long; Beneath the angel-strain have rolled Two thousand years of wrong; And man, at war with man, hears not The love-song which they bring; – Oh hush the noise, ye men of strife, And hear the angels sing! And ye, beneath life's crushing load, Whose forms are ...
Part 2, "Angels in Holy Scripture", begins with a spoken passage "Angels were the first creatures God made" by Thomas Heywood, followed by two biblical meetings with an angel, of Jacob in movement 3a (Genesis 28:10–12, 16–17), and Elisha in movement 3b (2 Kings 6:15–16), both set for choir and organ.
May choirs of angels receive you and with Lazarus, once (a) poor (man), may you have eternal rest." The melody of In paradisum In the Masses for the dead, this antiphon is sung in procession on the way from the final blessing of the corpse in church to the graveyard where burial takes place.