Search results
Results From The WOW.Com Content Network
The movie was made with the sound-on-film system controlled by the German-Dutch firm Tobis, corporate heirs to the Tri-Ergon concern. With an eye toward commanding the emerging European market for sound film, Tobis entered into a compact with its chief competitor, Klangfilm, a joint subsidiary of Germany's two leading electrical manufacturers.
This is a list of early pre-recorded sound and part or full talking feature films made in the United States and Europe during the transition from silent film to sound, between 1926 and 1929. [1] During this time a variety of recording systems were used, including sound on film formats such as Movietone and RCA Photophone , as well as sound on ...
Sound on film can be dated back to the early 1880s, when Charles E. Fritts filed a patent claiming the idea. In 1923 a patent was filed by E. E. Ries, for a variable density soundtrack recording, which was submitted to the SMPE (now SMPTE), which used the mercury vapor lamp as a modulating device to create a variable-density soundtrack.
In 1927, the sound film The Jazz Singer was released; while not the first sound film, it made a tremendous hit and made the public and the film industry realize that sound film was more than a mere novelty. The Jazz Singer used a process called Vitaphone that involved synchronizing the projected film to sound recorded on a disc. It essentially ...
This was the parent company of Tri-Ergon-Musik AG (Berlin), formed by Masolle on 12 May 1927, [23] which made both sound films, and also phonograph records with the same photo-electric method used in the film soundtracks. The records were sold under the name Tri-Ergon-Photo-Records.
Vitaphone was a sound film system used for feature films and nearly 1,000 short subjects made by Warner Bros. and its sister studio First National from 1926 to 1931. Vitaphone is the last major analog sound-on-disc system and the only one that was widely used and commercially successful.
The Dickson Experimental Sound Film is a film made by William Dickson in late 1894 or early 1895. It is the first known film with live-recorded sound and appears to be the first motion picture made for the Kinetophone, the proto-sound-film system developed by Dickson and Thomas Edison.
This film was the first professionally produced feature film with an optical soundtrack. The sound in the film included music and sound effects but only a few unsynchronized spoken words. The system was also used for sound acting sequences in Mother Knows Best (1928).