Search results
Results From The WOW.Com Content Network
Polin succeeded ambassador Antoine de Rincon (1538–1541) in Constantinople. [2] In early 1542, Polin successfully negotiated the details of a Franco-Ottoman alliance for the Italian War of 1542–1546, with the Ottoman Empire promising to send 27,500 [3] troops against the territories of the Spanish king Ferdinand, as well as 110 galleys [3] against Charles, while France promised to attack ...
96-button Stradella bass layout on an accordion. C is in the middle of the root note row. The Stradella Bass System (sometimes called [1] standard bass) is a buttonboard layout equipped on the bass side of many accordions, which uses columns of buttons arranged in a circle of fifths; this places the principal major chords of a key (I, IV and V) in three adjacent columns.
Fauxbourdon (also fauxbordon, and also commonly two words: faux bourdon or faulx bourdon, and in Italian falso bordone) – French for false drone – is a technique of musical harmonisation used in the late Middle Ages and early Renaissance, particularly by composers of the Burgundian School.
• A Garland for Linda • A German Requiem (Brahms) • A German Requiem discography • A Handshake in the Dark • A Hero's Song • A Hundred Hardanger Tunes • A Hymn of St Columba • A Hymn to God the Father • À la musique • A la Verge Santíssima: Dues Lletretes a Una Veu • A Land of Pure Delight • A Little Suite for ...
This motif also appears in measures 6, 10, and 12, several times later in the work, [clarification needed] and at the end of the last act.. Martin Vogel [] points out the "chord" in earlier works by Guillaume de Machaut, Carlo Gesualdo, J. S. Bach, Mozart, Beethoven, or Louis Spohr [1] as in the following example from the first movement of Beethoven's Piano Sonata No. 18:
Starting from the symmetrical chords, otonal chords flatten one note, while utonal chords sharpen one note, as observed by Richard Cohn. Neo-Riemannian theory is a loose collection of ideas present in the writings of music theorists such as David Lewin , Brian Hyer, Richard Cohn , and Henry Klumpenhouwer .
Antoine-Laurent Baudron (1742–1834): Amongst the first French composers to write string quartets, his Sei quartetti Op. 3 were published in 1768. [12] Roman Hoffstetter (1742–1815): An Austrian monk and composer, now supposed to have composed the six string quartets known as Haydn's Op. 3, including the well-known 'Serenade Quartet'.
The first part of the rhapsody is an introduction (Tempo giusto), where the left hand of the player plays a steady bassline made up of the chords in the D-flat major scale. Due to the overlapping of the melody over the bars, the piece does not sound as though it is in a 2 4 rhythm.