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The equestrian sculpture is insofar a miracle which stands for Fernkorn's craftsmanship as a sculptor, as only the two back legs of the horse have a connection with the pedestal, it is only the second oldest in the world of this kind, after the Monument to Nicholas I in Saint Petersburg, outdoing the achievement of Tacca's equestrian sculpture ...
Dying Gaul, or The Capitoline Gaul, [1] a Roman marble copy of a Hellenistic work of the late 3rd century BCE, Capitoline Museums, Rome Assyrian lamassu gate guardian from Khorsabad, c. 800 –721 BCE Michelangelo's Moses, (c. 1513–1515), San Pietro in Vincoli, Rome, for the tomb of Pope Julius II Netsuke of tigress with two cubs, mid-19th-century Japan, ivory with shell inlay The Angel of ...
Wäinö Aaltonen (1894–1966), Finland; Johannes Josephus Aarts (1871–1934), Netherlands; Magdalena Abakanowicz (1930–2017), Poland; Elfriede Abbe (1919–2012 ...
This list of tallest statues includes completed statues that are at least 50 m (160 ft) tall. The height values in this list are measured to the highest part of the human (or animal) figure, but exclude the height of any pedestal (plinth), or other base platform as well as any mast, spire, or other structure that extends higher than the tallest figure in the monument.
The Thinker (French: Le Penseur), by Auguste Rodin, is a bronze sculpture depicting a nude male figure of heroic size, seated on a large rock, leaning forward, right elbow placed upon the left thigh, back of the right hand supporting the chin in a posture evocative of deep thought and contemplation.
David is a masterpiece of Italian Renaissance sculpture in marble [1] [2] created from 1501 to 1504 by Michelangelo.With a height of 5.17 metres (17 ft 0 in), the David was the first colossal marble statue made in the High Renaissance, and since classical antiquity, a precedent for the 16th century and beyond.
The Pietà (Italian: [maˈdɔnna della pjeˈta]; "[Our Lady of] Pity"; 1498–1499) is a Carrara marble sculpture of Jesus and Mary at Mount Golgotha representing the "Sixth Sorrow" of the Virgin Mary by Michelangelo Buonarroti, in Saint Peter's Basilica, Vatican City, for which it was made.
In the market for sculpture, plagued by fakes, the value of a piece increases significantly when its provenance can be established. A Rodin work with a verified history sold for US$4.8 million in 1999, [117] and Rodin's bronze Ève, grand modele – version sans rocher sold for $18.9 million at a 2008 Christie's auction in New York. [118]