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But he was the leading painter of history painting in the Medici court, although his work is now generally seen as straining after the impact that Michelangelo's work has, and failing to achieve it. This had become a common fault in Florentine painting by the decades after 1530, as many painters tried to emulate the giants of the High Renaissance.
The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th. This new figurative language was linked to a new way of thinking about humankind and the world around it, based on the local culture and humanism already highlighted ...
On the other hand, Piero enjoyed a great reputation as a portrait painter: the most famous of his work is in fact the portrait of a Florentine noblewoman, Simonetta Vespucci, mistress of Giuliano de' Medici. According to Vasari, Piero excelled in designing pageants and triumphal processions for the pleasure-loving youths of Florence, and gives ...
Giotto di Bondone (Italian: [ˈdʒɔtto di bonˈdoːne]; c. 1267 [a] – January 8, 1337), [2] [3] known mononymously as Giotto [b], was an Italian painter and architect from Florence during the Late Middle Ages.
G. Anton Domenico Gabbiani; Agnolo Gaddi; Gaddo Gaddi; Taddeo Gaddi; Ippolito Galantini (painter) Domenico Galeazzi; Sebastiano Galeotti; Giovanni Battista Galestruzzi
The Tribute Money is a fresco by the Italian Early Renaissance painter Masaccio, located in the Brancacci Chapel of the basilica of Santa Maria del Carmine, Florence. Painted in the 1420s, it is widely considered among Masaccio's best work, and a vital part of the development of Renaissance art. [1] [2]
Agnolo di Cosimo (Italian: [ˈaɲɲolo di ˈkɔːzimo]; 17 November 1503 – 23 November 1572), usually known as Bronzino (Italian: Il Bronzino [il bronˈdziːno]) or Agnolo Bronzino, [a] was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin [1] or reddish hair. [2]
This project took 12 years to complete, but secured his reputation among the most important Florentine families as the city's most important fresco painter. [3] In 1652, the Marchese Filippo Niccolini , planning to employ Franceschini on the frescoes for the cupola and back-wall of his chapel in Santa Croce , Florence, dispatched him to various ...