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An ode (from Ancient Greek: ᾠδή, romanized: ōidḗ) is a type of lyric poetry, with its origins in Ancient Greece. Odes are elaborately structured poems praising or glorifying an event or individual, describing nature intellectually as well as emotionally.
"Ode to Psyche" is a 67-line poem written in stanzas of varying length, which took its form from modification Keats made to the sonnet structure. [24] The ode is written to a Grecian mythological character, displaying a great influence of Classical culture as the poet begins his discourse with "O GODDESS!" (line 1).
"Ode" is a poem written by the English poet Arthur O'Shaughnessy and first published in 1873. [1] It is the first poem in O'Shaughnessy's collection Music and Moonlight (1874). "Ode" has nine stanzas, although it is commonly believed to be only three stanzas long [ citation needed ] .
The poem incorporates a complex reliance on assonance, which is found in very few English poems. Within "Ode on a Grecian Urn", an example of this pattern can be found in line 13 ("Not to the sensual ear, but, more endear'd") where the "e" of "sensual" connects with the "e" of "endear'd" and the "ea" of "ear" connects with the "ea" of "endear'd".
The poem's reliance on the process of sleeping is common to Keats's poems, and "Ode to a Nightingale" shares many of the same themes as Keats' Sleep and Poetry and Eve of St. Agnes. This further separates the image of the nightingale's song from its closest comparative image, the urn as represented in "Ode on a Grecian Urn".
"Ode to Joy" (German: "An die Freude" [an diː ˈfʁɔʏdə]) is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller. It was published the following year in the German magazine Thalia. In 1808, a slightly revised version changed two lines of the first stanza and omitted last stanza.
The poem argued that a poet should not be excessive or irresponsible in behaviour and contains a sense of assurance that is not found within the original four stanzas. Instead, there is a search for such a feeling but the poem ends without certainty, which relates the ode to Coleridge's poem Dejection: An Ode. [36]
According to Harold Bloom, one can presume that the "harmony was threatened if fully half of [the poem] was concerned with the useless quest after "The Melancholy". [6] Despite its adjusted length, Keats thought the poem to be of a higher quality than "Ode on Indolence", which was not published until 1848, after Keats's death. [7]