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An ode (from Ancient Greek: ᾠδή, romanized: ōidḗ) is a type of lyric poetry, with its origins in Ancient Greece. Odes are elaborately structured poems praising or glorifying an event or individual, describing nature intellectually as well as emotionally.
Consistently-formatted table for presenting information about poems Template parameters [Edit template data] This template has custom formatting. Parameter Description Type Status Name name Poem name Default Pagename String required Author author Author(s) of the poem (should be link to their respective article if available). String suggested Date of publication publication_date Date published ...
The poem incorporates a complex reliance on assonance, which is found in very few English poems. Within "Ode on a Grecian Urn", an example of this pattern can be found in line 13 ("Not to the sensual ear, but, more endear'd") where the "e" of "sensual" connects with the "e" of "endear'd" and the "ea" of "ear" connects with the "ea" of "endear'd".
"Ode to Psyche" is a 67-line poem written in stanzas of varying length, which took its form from modification Keats made to the sonnet structure. [24] The ode is written to a Grecian mythological character, displaying a great influence of Classical culture as the poet begins his discourse with "O GODDESS!" (line 1).
Negative capability appears subtly in "Ode on Melancholy" according to Harold Bloom, who describes the negatives in the poem as being the result of a carefully crafted ironies that first become truly evident as the poet describes the onset of melancholy through an allegorical image of April rains supplying life to flowers. [6]
A verse from the Qaṣīdat al-Burda, displayed on the wall of al-Busiri's shrine in Alexandria. Qasīdat al-Burda (Arabic: قصيدة البردة, "Ode of the Mantle"), or al-Burda for short, is a thirteenth-century ode of praise for Muhammad composed by the eminent Shadhili mystic al-Busiri of Egypt.
[101] David Mason followed Mill in an 1875 essay on literature, including Wordsworth's poetry. After quoting from the ode, Mason claimed of the poem: "These, and hundreds of other passages that might be quoted, show that Wordsworth possessed, in a very high degree indeed, the true primary quality of the poet—imagination; a surcharge of ...
The 6th ode (1.6), in which he claims that the Muse forbids him from singing the praises of Caesar (Octavian), contrasts with the 6th from the end (3.25), in which he declares that Bacchus has inspired him to sing Caesar's praises. The 10th poem (1.10) is a hymn to Mercury, and the 10th from the end (3.21) is a hymn to a wine jar.