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An epilogue or epilog (from Greek ἐπίλογος epílogos, "conclusion" from ἐπί epi, "in addition" and λόγος logos, "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work. [1] It is presented from the perspective of within the story.
A prologue or prolog (from Greek πρόλογος prólogos, from πρό pró, "before" and λόγος lógos, "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
A literary genre that included five elements: prologue, birth and upbringing, acts of the person's life, comparisons used to praise the subject, and an epilogue [citation needed] The basilikos logos (imperial encomium), a formal genre in the Byzantine empire
He focuses on modern literature but covers a range of authors including William Shakespeare, Edmund Spenser, William Butler Yeats, T. S. Eliot, James Joyce, the French 'new novelists', William S. Burroughs, Samuel Beckett and Jean-Paul Sartre. In 2000 it was reissued with a new epilogue. [1]
In literature, an epigraph is a phrase, quotation, or poem that is set at the beginning of a document, monograph or section or chapter thereof. [1] The epigraph may serve as a preface to the work; as a summary; as a counter-example; or as a link from the work to a wider literary canon, [ 2 ] with the purpose of either inviting comparison or ...
Epilogue: A Critical Summary was a periodical, biannual in theory but irregular in practice, which appeared between the years 1935 and 1938. It was edited by the American poet Laura Riding in association with Robert Graves and co-published by Constable and the Seizin Press.
The frame story of the poem, as set out in the 858 lines of Middle English which make up the General Prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of 'sundry folk' who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket, a martyr reputed to have the power of healing the sinful.