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The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period ).
Sonata No. 3 for Violin Solo, "Es ist so schönes Wetter draussen", Op. 31, No. 2 (1924) Sonata No. 1 for Violin and Piano, Op. 11, No. 1, in E ♭ major (1918) Sonata No. 2 for Violin and Piano, Op. 11, No. 2, in D major (1918) Sonata No. 3 for Violin and Piano in E major (1935) Sonata No. 4 for Violin and Piano in C major (1939)
In music, a sonata (/ s ə ˈ n ɑː t ə /; pl. sonate) [a] literally means a piece played as opposed to a cantata (Latin and Italian cantare, "to sing"), a piece sung. [1]: 17 The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance.
These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as:
For example, unit length of 8 1 ⁄ 2 in the first section of Sonata III is achieved by using six bars in 2/2 time and two in 5/4 (rather than eight bars in 2/2 and one in 1/2). In many sonatas the microstructure—how the melodic lines are constructed—deviates slightly from the pre-defined proportion.
Sonata in B-flat for Keyboard and Violin, K. 31 (1766) Sonata in D for Keyboard and Violin, K. 630 (1766, doubtful) Mature violin sonatas (1778–88)
The four movements of the sonata are meditations on New England transcendentalist writers: Emerson, Hawthorne, the Alcotts and Thoreau. Dinnerstein has taken Ives’ highly personal music to tell ...
Sonata Op. 17 in F (transcription of the Sonata for Horn and piano) (1800) Sonata Op. 64 in E flat (transcription of String Trio Op.3) (1807) Twelve Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66 (1796) Twelve Variations for cello & piano in G major on Handel's "See, the Conqu'ring Hero comes," WoO 45 ...