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His first offering was the "FS-1," a pickup designed to reduce the often shrill nature of stock Stratocaster bridge pickups, and which found an early fan in Pink Floyd's David Gilmour. [ 2 ] Knowing many rock guitarists sought a way to create more distorted tones at lower volumes and without relying on fuzz pedals , DiMarzio released the "Super ...
The first humbuckers used for the Fly were produced by Dimarzio based on their Air Norton (neck position), and ToneZone (bridge position) designs. These pickups are commonly referred to as "Gen 1 Dimarzios". Responding to complaints about their non traditional hi-fi sound, Dimarzio introduced a new set of humbuckers in the spring of 1999 ...
In the early 1980s DiMarzio introduced replacement pickups for Stratocaster and Telecaster guitars. These were of the stacked humbucker design, where the lower pickup coil functions solely to cancel hum. The DiMarzio "Super Distortion" pickup, introduced in 1972, was the first after-market replacement guitar pickup.
The name "Iceman" came later in 1978. The Greco model was named the Mirage and they are basically the same except for the pickup types that were used. Super 2000, Triple Coil and V2 pickups were used for the Ibanez Iceman, depending on the model number. Greco Dry and DiMarzio Super II pickups were used for the Greco Mirage.
In 1974–1975, some custom guitar models, and from 1975 to 1982, many production bass guitars were fitted with adjustable-pole humbucker pickups, designed by Sergio Zuñica. In 1975, DiMarzio agreed to build wax-potted, four-conductor pickups for B.C. Rich, and these were used until B.C. Rich began designing their own in the late 1980s.
Guitar World magazine later uncovered that it was a custom Charvel, built either by Grover Jackson or Charvel builder Mike Shannon, and equipped with DiMarzio pickups and a Floyd Rose tremolo. [17] The guitar was Vai's own and, as Butler drops it heavily to the floor, the production team hastily constructed mock-up instruments for the shot. [17]