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Les préludes is the final revision of an overture initially written for a choral cycle Les quatre élémens (The Four Elements, 1844–48), on 4 poems by the French author Joseph Autran: La Terre (The Earth), Les Aquilons (The north Winds), Les Flots (The Waves), Les Astres (The Stars).
Harmonies poétiques et religieuses (Poetic and Religious Harmonies), S.173, is a cycle of piano pieces written by Franz Liszt at Woronińce (Voronivtsi, the Polish-Ukrainian country estate of Liszt's mistress Princess Carolyne von Sayn-Wittgenstein) in 1847, and published in 1853.
24 Preludes, Op. 11 (Scriabin) 32 Variations in C minor (Beethoven) 42 études ou caprices; 44 Duos for Two Violins; 52 chorale preludes, Op. 67; 66 Chorale improvisations for organ; Der 100. Psalm; List of compositions by Franz Schubert (1810) List of compositions by Franz Schubert (1811) List of compositions by Franz Schubert (1812) 1812 Overture
As a series, La terre, Les aquilons, Les flots and Les astres formed a cycle Les quatre élémens ("The Four Elements"). The title of the cycle was an allusion to the Ancient Greek concept of the four elements, the four poems respectively being a reference to each of those elements: earth, air, water, and fire. La terre and Les flots were ...
Franz Liszt, after an 1856 painting by Wilhelm von Kaulbach. This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.. These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions.
An album of some of Tausig's Wagner transcriptions: the 3 Tristan paraphrases, the 2 from Valkyre, including the four-hand version of Ride of the Valkyres, and the Kaiser March. Four of Tausig's transcriptions of Liszt symphonic poems: no. 3 Les Preludes, and nos. 2, 4, and 10 all previously unpublished.
Goethe and Schiller in front of the Deutsches Nationaltheater and Staatskapelle Weimar, where many of Liszt's symphonic poems premiered. [4]According to cultural historian Hannu Salmi, classical music began to gain public prominence in Western Europe in the latter 18th century through the establishment of concerts by musical societies in cities such as Leipzig and the subsequent press coverage ...
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.