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After Mesopotamia fell to the Persian Achaemenid Empire, which had much simpler artistic traditions, Mesopotamian art was, with Ancient Greek art, the main influence on the cosmopolitan Achaemenid style that emerged, [102] and many ancient elements were retained in the area even in the Hellenistic art that succeeded the conquest of the region ...
Qajar art refers to the art, architecture, and art-forms of the Qajar dynasty of the late Persian Empire, which lasted from 1781 to 1925. The boom in artistic expression that occurred during the Qajar era was the fortunate side effect of the period of relative peace that accompanied the rule of Agha Muhammad Khan and his descendants.
Map showing the extent of Mesopotamia. The Civilization of Mesopotamia ranges from the earliest human occupation in the Paleolithic period up to Late antiquity.This history is pieced together from evidence retrieved from archaeological excavations and, after the introduction of writing in the late 4th millennium BC, an increasing amount of historical sources.
Room 6 – Pair of Human Headed Winged Lions and reliefs from Nimrud with the Balawat Gates, c. 860 BC. The Department of the Middle East (formerly Department of Western Asiatic Antiquities, then Department of Ancient Near East), numbering some 330,000 works, [1] forms a significant part of the collections of the British Museum, and the world's largest collection of Mesopotamian antiquities ...
It was centered in the city of Akkad [1] and its surrounding region. The empire united Akkadian (Assyrian and Babylonian) and Sumerian speakers under one rule. The Akkadian Empire exercised influence across Mesopotamia, the Levant, and Anatolia, sending military expeditions as far south as Dilmun and Magan (modern Bahrain and Oman) in the ...
Statue of Iku-Shamagan, King of Mari, wearing the Kaunakes. c. 2500 BCE.. A kaunakes [1] (Ancient Greek: καυνάκης, romanized: kaunákēs, or γαυνάκης; Classical Syriac: ܓܘܢܟܐ, romanized: gawnɘḵā; [2] [3] Akkadian: 𒌆𒄖𒅘𒆪 TÚG GU-NAK-KU; or persis; or Latin: gaunaca or gausapa) [4] [5] was a woollen mantle associated with ancient Mesopotamia and Persia.
The languages that were spoken during the Ubaid period cannot be determined. Despite the fact that the Ubaid period is prehistorical, it has featured prominently in discussions on the origin and presence of the Sumerian and Akkadian languages in Sumer. This debate has been called the "Sumerian problem" or "Sumerian question".
The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old-Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions.