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Celia Caridad Cruz Alfonso was born on 21 October 1925, at 47 Serrano Street in the Santos Suárez neighborhood of Havana, Cuba. [10] [3] [11] Her father, Simón Cruz, was a railway stoker, and her mother, Catalina Alfonso Ramos, a housewife of Haitian descent who took care of an extended family. [3]
Alicia Parla (1914 – October 6, 1998) was a Cuban rhumba dancer and hospital administrator who was called "the Queen of Rumba" by the press. Born into a strict middle-class Cuban family, she and her family moved to Miami when Cuba became politically turbulent in the 1920s.
Manitas de Plata was the uncle of Diego, Paco, and Tonino Baliardo, and cousin to Pablo, François (Canut), Patchaï, Nicolas, and André Reyes (the sons of his cousin, flamenco artist José Reyes, with whom he performed as a duo in the 1970s), all current or former members of the Catalan rumba band Gipsy Kings.
A young Franco Luambo playing the six-string guitar on a wooden chair outside a house in Léopoldville in 1956. François Luambo Luanzo Makiadi was born on 6 July 1938 in Sona-Bata [], a town located in then-Bas-Congo Province (now Kongo Central), in what was then the Belgian Congo (later the Republic of the Congo, then Zaire, and currently the Democratic Republic of the Congo).
By the late 1980s and early 1990s, Wemba's style was more readily identifiable even as it had become an amalgamation of rumba, soukous and ndombolo, Latin and rock, melded to a European-oriented pop style. [10] But still wanting to expand their musical horizons, and move in new musical directions, [10] Viva la Musica took on a dual-identity ...
Arthur Duncan, who kept tap dancing visible and relevant across the country on television when most had relegated it to the past and who also broke ground as a Black entertainer, has died at 97.
TPOK Jazz had many members over the nearly 38 years of its existence. [16] The list of band members reads like a "Congolese Music Hall of Fame Inductees". Many members came and went, with many of those who left coming back, some on more than one occasion. Here are some of the members of the band. [17] [18]
He continued to receive pay as if he were an active member of La Sonora Matancera till he died two years later. [1] In 1946, in place of Valentín Cané, Tata Güines, who was a member of the groundbreaking ensemble led by Israel "Cachao" López in the late 1950s and the early 1960s, became the conguero for a short time. [1]