Ads
related to: traditional korean interior design ideas for kitchen
Search results
Results From The WOW.Com Content Network
The structure of traditional Korean fireplace illustrated in a diagram of hanok's kitchen and an adjoining ondol room. Buttumaks in agrarian Korean kitchens were commonly made from brick or stone and then smoothed with clay. [5] Above each agungi is an upward opening where gamasot (big pot or cauldron used on agungi) can be set onto the ...
The anchae would also include other rooms such as the sadangchae, or family shrine; [5]: 35 the bueok, or kitchen, which was commonly attached to the front of the anbang; the daecheong, [5]: 96 a large wood-floored hall that connected the anbang to other rooms and functioned as both a pantry and a family gathering place; [6] and various rooms ...
The main components of the traditional ondol are an agungi (아궁이; ), an firebox or stove, accessible from an adjoining room (typically kitchen or master bedroom), a raised masonry floor underlain by horizontal smoke passages, and a vertical, freestanding chimney on the opposite exterior wall providing a draft. The heated floor, supported ...
Another unique feature of traditional houses is their special design for cooling the interior in summer and heating the interior in winter. Since Korea has hot summers and cold winters, the Ondol (Gudeul), a floor-based heating system, [ 5 ] and the Daecheong, a cool wooden-floor style hall, were devised long ago to help Koreans survive the ...
Korean traditional patterns were used in architecture, daily goods, and artifacts of Buddhist temples to further emphasize Buddhism. The main purpose for making patterns was decorative, and often functioned to protect the object. For example, 'Dancheong' is a Korean artifact painted with various patterns on a wooden structure. The reason for ...
The wares began to assume more traditional Korean glazes and more specific designs to meet regional needs. This is to be expected, as the Scythian art influences were of the former dynasty. The rise of white porcelain occurred as a result of Confucian influence and ideals, resulting in purer, less pretentious forms lacking artifice and complexity.