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Old-school hip hop (also spelled old skool) (also known as disco-rap) is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, [1] as well as any hip hop that does not adhere to contemporary styles. [2]
Carter's DJ sets are firmly rooted in black music of the 1970s, frequently giving nods to old school disco, soul and jazz. [citation needed] As a remixer, he has worked for a diverse range of artists including The Beloved, The Human League, Ricky Martin, Boris Dlugosch, Modjo, DJ Sneak and Röyksopp. After a brief hiatus, he returned to ...
The early house music sound was a "dialogue" between Hispanic, [2] and Black American post-disco [3] [4] [5] and European post-punk [6] [7] electronic music and their traditions with Italo-disco picked or, emulated the most, [8] as the template for house music. [9]
"Rapper's Delight" peaked at number 36 in January 1980 on the US Billboard Hot 100 chart, [15] number four on the Billboard Hot Soul Singles chart in December 1979. The song was much more successful internationally, reaching number one on the Canadian Top Singles chart in January 1980, [16] number one on the Dutch Top 40, and number three on the UK Singles Chart.
In the 1970s, hip-hop music typically used samples from funk and later, from disco. The mid-1980s marked a paradigm shift in the development of hip-hop, with the introduction of samples from rock music, as demonstrated in the albums King of Rock and Licensed to Ill. Hip-hop prior to this shift is characterized as old-school hip hop.
1. Giggle water. Used to describe: Any alcoholic drink, liquor or sparkling wine In the roaring '20s (that's 1920s, kids!) during prohibition, giggle water was slang for any alcoholic beverage.
Post-disco is a term and genre to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980.
"All for You" is a song by American singer-songwriter Janet Jackson, from her seventh studio album of the same name (2001). Written and produced by Jackson along with her collaborators Jimmy Jam and Terry Lewis, the song is a dance-pop and R&B track with influences of neo-disco and funk that heavily samples "The Glow of Love" by Change.