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Achilles bandages the arm of Patroclus. The relationship between Achilles and Patroclus is a key element of the stories associated with the Trojan War.In the Iliad, Homer describes a deep and meaningful relationship between Achilles and Patroclus, where Achilles is tender toward Patroclus, but callous and arrogant toward others.
1 Tomb of Achilles and Patroclus. 2 History. 3 References. 4 ... The site considered in classical antiquity to be the tomb of Achilles is a short distance inland at a ...
Achilles consented, giving Patroclus the armor Achilles had received from his father in order for Patroclus to impersonate Achilles. Achilles then told Patroclus to return after beating the Trojans back from their ships. [21]: 353 book 16, lines 64–87 Patroclus defied Achilles's order and pursued the Trojans back to the gates of Troy. [22]
In Patroclus and Achilles' case, Achilles would have been the younger as Patroclus is usually seen as his elder. In Plato's Symposium, the participants in a dialogue about love assume that Achilles and Patroclus were a couple; Phaedrus argues that Achilles was the younger and more beautiful one so he was the beloved and Patroclus was the lover ...
Menelaus supporting the body of Patroclus, in the Loggia dei Lanzi, Florence, Italy. The Pasquino Group (also known as Menelaus Carrying the Body of Patroclus or Ajax Carrying the Body of Achilles) is a group of marble sculptures that copy a Hellenistic bronze original, dating to ca. 200–150 BCE. [1]
In antiquity, according to a fragment of Callimachus' lost Aitia, [17] there was a tomb of Peleus in Ikos (modern Alonissos), an island of the northern Sporades; there Peleus was venerated as "king of the Myrmidons" and the "return of the hero" was celebrated annually. [18] And there was his tomb, according to a poem in the Greek Anthology. [19]
Images of Meleager, the host of the Calydonian Boar hunt, being mourned by Atalanta, as well as images of Achilles mourning Patroclus were very common on sarcophagi that acted as grieving aids. In both cases, the mythological scenes were akin to mourning practices of ordinary Roman citizens in an effort to reflect their grief and comfort them ...
Three rows of seats occupied one half, the grave and an outer row of seats the other; the seats formed segments of circles of fifty, forty-five, and forty feet each, and were formed by the soil being trenched up from between them. The centre part of the grave was about five feet high, and about nine long, forming an oblong pointed cone.