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John Alvin Ray (January 10, 1927 – February 24, 1990) was an American singer, songwriter, and pianist. Highly popular for most of the 1950s, Ray has been cited by critics as a major precursor to what became rock and roll, for his jazz and blues-influenced music, and his animated stage personality. [1]
"The Little White Cloud that Cried" is a popular song written by Johnnie Ray and published in 1951. The biggest hit version was recorded by Ray and The Four Lads in 1951. The recording was released by Okeh Records as catalog number 6840.
It should only contain pages that are Johnnie Ray songs or lists of Johnnie Ray songs, as well as subcategories containing those things (themselves set categories). Topics about Johnnie Ray songs in general should be placed in relevant topic categories .
"Cry" is a 1951 popular song written by Churchill Kohlman. The song was first recorded by Ruth Casey on the Cadillac label. [1] The biggest hit version was recorded in New York City by Johnnie Ray and The Four Lads on October 16, 1951. Singer Ronnie Dove also had a big hit with the song in 1966.
Throughout most of the 1950s, the magazine published the following charts to measure a song's popularity: Most Played by Jockeys – ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations. Most Played in Jukeboxes – ranked the most played songs in jukeboxes across the United States.
Ray's recording was produced by Mitch Miller, and in the US, peaked at number 12 on the Most Played by Jockeys chart. [2] Outside the US, "Yes Tonight Josephine" gave Ray his third and final number one hit in the UK. [1] The single first entered the UK Singles Chart on 10 May 1957, and peaked at number one for three weeks in June. [3]
"Please, Mr. Sun" is a song written by Ray Getzov and Sid Frank and performed by Johnnie Ray featuring The Four Lads and the Jimmy Carroll Orchestra. It reached number 6 on the U.S. pop chart in 1952. [1] It was featured on his 1955 album I Cry for You. The single ranked number 30 on Billboard's Year-End top 30 singles of 1952. [2]
The song reached number one in the United States on the Billboard Hot 100 charts during the week ending 23 April 1983. "Come On Eileen" prevented Michael Jackson from having back-to-back number one hits in the US: " Billie Jean " was the number one single the previous seven weeks, while " Beat It " was the number one song the ensuing three.