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Sandiwara (Indonesian term for: "drama") is a genre of traditional theatrical drama of Indonesia. In general, it refers to any kind of drama or theatrical performance, and literally, sandiwara means "to pretend" or "to act". However, the term is often used to describe a genre of traditional drama of West Java.
Ludruk is one of the theatrical genres in East Java.It is a form of traditional performance presented by a troupe of actors (or comedians) on a stage, re-telling the life stories of everyday people and their struggles.
Drama dari Krakatau ([ˈdrama daˈri kraˈkatau]; Drama of Krakatoa) is a 1929 vernacular Malay novel written by Kwee Tek Hoay.Inspired by Edward Bulwer-Lytton's 1834 novel The Last Days of Pompeii and the 1883 eruption of Krakatoa, the sixteen-chapter book centres on two families in 1920s Batam that are unknowingly tied together by siblings who were separated in 1883.
An act is a major division of a theatre work, including a play, film, opera, ballet, or musical theatre, consisting of one or more scenes. [1] [2] The term can either refer to a conscious division placed within a work by a playwright (usually itself made up of multiple scenes) [3] or a unit of analysis for dividing a dramatic work into sequences.
Mek Mulung (Jawi: مق مولوڠ) is a traditional Malay theatre that is unique to the northwest state of Kedah in Malaysia.It became popular since the late 18th century and incorporates most elements of Mak Yong, Menora and Hadrah. [1]
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Foreshadowing is often confused with other literary devices. A red herring is a hint designed to mislead the audience. Foreshadowing only hints at a possible outcome within the confinement of a narrative and leads readers in the right direction.
According to this theory, the world is a stage where all the people present are actors and their actions parallel a drama. [1] Burke then correlates dramatism with motivation, saying that people are "motivated" to behave in response to certain situations, similar to how actors in a play are motivated to behave or function. [ 1 ]