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During the Tang dynasty, Chinese Buddhist monastics typically wore grayish-black robes, and were even colloquially referred to as Ziyi (緇 衣), "those of the black robes." [11] However, the Song dynasty monk Zanning (919–1001 CE) writes that during the earlier Han-Wei period, the Chinese monks typically wore red. [12] Chinese jiasha
One origin story holds that when the Chinese emperors forbid the wearing of robes, defrocked all the Buddhist monks, and bestowed imperial favor on the Confucian and Taoist priests, then Buddhist monks created a miniature version of their robe to be worn secretly around the neck underneath their regular lay clothing. Another suggests that the ...
Ordained Buddhist bhikkus (monks) and bhikuunis (nuns) traditionally wear simple robes called kāṣāya, named after a brown or saffron dye used to give the fabric their distinctive non-primary colors. Originally, these robes were made of cast-off or donated material because monks lived ascetic lifestyles. [1]
Modern-day Buddhist monks and laity refer to the long Buddhist robe as haiqing (Chinese: 海青). [23] The wearing of these long robes by Buddhist monks is a legacy of the Tang and Song period. [23] In ancient times, the haiqing was adopted by the Chan temples. [8] The haiqing originated from the hanfu-style worn in the Han and Tang dynasties. [14]
Japanese Buddhist priest's mantle (kesa), 1775–1825, LACMA textile collections In Japanese Buddhism , the kāṣāya is known as the kesa ( 袈裟 ) . In Japan, during the Edo and Meiji periods , kesa were sometimes pieced together from the theatrical kimono used in Noh theatre .
A jiasha used as a theatrical costume for a Buddhist priest; Silk brocade patchwork, 18th century. [11] Jia sha (Chinese: 袈裟) is a form of patchwork robes worn by Chinese buddhist priests to demonstrate their commitments to asceticism.