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Joseph Fasano (born May 17, 1982) is an American poet and novelist. Fasano was raised in Goshen, New York, where he attended Goshen Central High School.He earned a BA in philosophy from Harvard University in 2005 and an MFA from Columbia University in 2008. [1]
Maya Angelou's "Still I Rise" poem remains an anthem for the oppressed's struggle against the powerful, especially Black women. Themes of dignity and strength are inspiring.
Later, the fourth stanza of the poem alludes to a phrase from Jesus's Sermon on the Mount in the King James Bible, which says, at Matthew 7:14, "Because strait is the gate, and narrow is the way, which leadeth unto life, and few there be that find it."
And Still I Rise is Maya Angelou's third volume of poetry. She studied and began writing poetry at a young age. [1] After her rape at the age of eight, as recounted in her first autobiography, I Know Why the Caged Bird Sings (1969), she dealt with her trauma by memorizing and reciting great works of literature, including poetry, which helped bring her out of her self-imposed muteness.
The New York Times named Blood Labors one of the Best Poetry Books of the Year. “ Blood Labors is an ebullient and ecclesiastical wonder, capturing more of creation, the uncreated, and the recreated than any dozen books on a poetry bookshelf,” Barbara Ras commented, “[it] dazzles with its brilliance.” [ 15 ] [ 16 ]
Charles McGrath, writing about the book in The New York Times, described the book as "a close analysis, line by line sometimes, of the master's greatest hits." [3] McGrath praised Ricks for pointing out connections between Dylan's work and other poets and cultural figures that are "surprising and provocative. At various points he compares Mr ...
The New York Times Book Review article by the poet David Lehman was far more negative. He characterized the book as having "a flawed thesis, a few valuable readings of poems and a mess of missed opportunities." [9] But in a review in The New York Times, critic Michiko Kakutani praised the book, calling it "eloquent and very astute." She added:
A review by The New York Times states: "What Miss Shange prefers to call a choreopoem has been expanded into realistic settings that too often resemble the sanitized atmosphere of an episode of Good Times. The net result has been a considerable reduction in the work's emotional impact."