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The Seventh Seal (Swedish: Det sjunde inseglet) is a 1957 Swedish historical fantasy film written and directed by Ingmar Bergman.Set in Sweden [3] [4] during the Black Death, it tells of the journey of a medieval knight (Max von Sydow) and a game of chess he plays with the personification of Death (Bengt Ekerot), who has come to take his life.
Danse macabre is scored for an obbligato violin and an orchestra consisting of one piccolo, two flutes, two oboes, two clarinets in B ♭, two bassoons; four horns in G and D, two trumpets in D, three trombones, one tuba; a percussion section that includes timpani, xylophone, bass drum, cymbals and triangle; one harp and strings.
The Dance of Death (1493) by Michael Wolgemut, from the Nuremberg Chronicle of Hartmann Schedel. The Danse Macabre (/ d ɑː n s m ə ˈ k ɑː b (r ə)/; French pronunciation: [dɑ̃s ma.kabʁ]), also called the Dance of Death, is an artistic genre of allegory from the Late Middle Ages on the universality of death.
The theme continued to inspire artists and musicians long after the medieval period, Schubert's string quartet Death and the Maiden (1824) being one example, and Camille Saint-Saëns' tone poem Danse macabre, op. 40 (1847). In the 20th century, Ingmar Bergman's 1957 film The Seventh Seal has a personified Death, and could thus count as macabre.
Danse Macabre (1922 film) G. The Golem (2018 film) L. ... The Seventh Seal; The Story of Voyages This page was last edited on 8 February 2021, at 22:37 (UTC). ...
"Ballo in Fa diesis minore" ("Dance in F-sharp minor") is based on Ingmar Bergman's The Seventh Seal in which a man defies the personification of Death (lyrics are taken from an inscription of a danse macabre depiction at Clusone, near Bergamo); the melody is inspired by "Schiarazula Marazula", a medieval northern Italian theme which ...
Giltinė was viewed as an old, ugly woman with a long blue nose and a deadly venomous tongue. The legend tells that Giltinė was young, pretty, and communicative until she was trapped in a coffin for seven years. Her sister was the goddess of life and destiny, Laima, symbolizing the relationship between beginning and end.
Variants may include other figures. It developed from the Danse Macabre with an added erotic subtext. The German artist Hans Baldung depicted it several times. [1] The motif was revived during the romantic era in the arts, a notable example being Franz Schubert's song "Der Tod und das Mädchen", setting a poem by the German poet Matthias Claudius