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Procession of men, kylix by the Triptolemos Painter, circa 480 BC. Paris: Louvre The wedding of Thetis, pyxis by the Wedding Painter, circa 470/460 BC. Paris: Louvre. Red-figure pottery (Ancient Greek: ἐρυθρόμορφα, romanized: erythrómorpha) is a style of ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the ...
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BC, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
His collaboration with the Andokides Painter, usually considered the inventor of red-figure vase painting, is unusual. On seven bilingual vases, six belly amphorae and a cup (now in Palermo), he painted the red-figure side, while the Andokides Painter was responsible for the black-figure one. At times, the subjects painted by both are identical.
In archaeological scholarship, the term Mannerists describes a large group of Attic red-figure vase painters, stylistically linked by their affected painting style. The group comprised more than 15 artists. They preferred to paint column kraters, hydriai and pelikes. They were active from about 480 BC until near the end of the 5th century BC.
It is likely, however, that he also worked in black-figure painting, [3] and his style suggests a link, possibly in the role of student, to the great black-figure painter Exekias. [4] John Boardman sees connections to Ionian art in the painter's work, suggesting that he may have been an immigrant from East Greece. [ 3 ]
Nikosthenes was a potter of Greek black-and red-figure pottery in the time window 550–510 BC. [1] He signed as the potter on over 120 black-figure vases, but only nine red-figure. Most of his vases were painted by someone else, called Painter N (for Nikosthenes). Beazley considers the painting "slovenly and dissolute;" that is, not of high ...
Men are depicted with red, black or white skin, women virtually always in white. Contours and interior detail were incised, as is common in black-figure vases. Areas covered in black shiny slip were often covered with an additional layer of white shiny slip, so that the underlying black would be visible in incised details. The front imagery is ...
Circa 520 BC the red-figure technique was developed and was gradually introduced in the form of the bilingual vase by the Andokides Painter, Oltos and Psiax. [42] Red-figure quickly eclipsed black-figure, yet in the unique form of the Panathanaic Amphora, black-figure continued to be utilised well into the 4th century BC.