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Like a pipe organ, a harpsichord may have more than one keyboard manual [b] and even a pedal board. Harpsichords may also have stop levers which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of ...
The university bought two further instruments from Russell's collection – an English double harpsichord by Jacob Kirckman, bought at auction in 1970, and a French double harpsichord by Jean Goermans and Taskin, purchased from Maud Russell in 1974 – bringing the total number to twenty-one.
The particular keys that were split were those that play the sharps and flats on the standard musical keyboard (the "black keys" on a modern piano). Split sharp. A sharp key divided or 'split' into two parts: the front part is about one third the length of the whole. Usually the back part is set slightly higher to facilitate playing.
Their surviving harpsichords show an attempt to develop the instrument in a number of ways: one from 1721 is 2.58 m long, and one from 1723 has the unusual disposition 8' 8' 8' 4'. Hass occasionally used a 16' set of strings (an octave below standard 8' pitch) and a 2' set (2 octaves higher than 8' pitch) for part of the keyboard.
The disadvantage of the paired design is that it generally limits the spinet to a single choir of strings, at eight-foot pitch, although a double-strung spinet by John Player is known. [1] In a full-size harpsichord, the registers that guide the jacks can be shifted slightly to one side, permitting the player to control whether or not that ...
It allows the sounds played on the pedals to be split, so the lower octave (principally that of the left foot) plays stops from the pedal division while the upper half (played by the right foot), plays stops from one of the manual divisions. The choice of manual is at the discretion of the performer, as is the 'split point' of the system.
The keyboard is placed left of centre, and the strings are plucked at one end, although farther from the bridge than in the harpsichord. This is the more common arrangement for modern instruments, and an instrument described simply as a "virginal" is likely to be a spinet virginals.
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