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Next came the G-DEC (Guitar Digital Entertainment Center), a true modeling amp. It was released in 2007 along with a PC software package to allow it to emulate a wide array of pedals, stompboxes, and amplifiers. The G-Dec won high praise at the time but its effects, based on three-decade-old MIDI technology, were rapidly outdated. An updated G ...
There is debate about whether reactive attenuators do a better job of preserving a guitar amplifier's tone. A guitar amplifier power attenuator may also offer a line-level output jack for sending the distortion-processed signal through an effects chain, to a recording console, or for the purpose of re-amplifying signal through a larger or ...
In 2013, an enhanced line of Vypyr amps was released. Called the "Vypyr VIP" series (short for "variable instrument input"), the VIP 1, VIP 2, and VIP 3 retain all the programmed models of the original Vypyrs, but also possess the ability to serve as acoustic guitar amps, as well as bass guitar amps.
Mesa-Boogie Mark IV, a guitar combo amplifier. A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet.
The 1 and 5 watt formats have 2 channels, while the 60 and 100 watt formats have 3 channels. These amps boast "extreme gain and tone", and are "Voiced for Metal- Hundreds of hours of technical development and focussed listening tests have resulted in the ultimate gigging metal head." This line of amplifiers was released at Musicmesse 2013. This ...
Today, overdriving the input is considered one of the key features of a treble booster. Popularized by guitarists such as Tony Iommi , [ 2 ] Ritchie Blackmore , Rory Gallagher , Brian May , and Marc Bolan , [ 3 ] [ 4 ] treble boosters were used to overdrive amplifiers (mostly dark sounding, British tube models such as Marshall Bluesbreakers and ...