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  2. Voice leading - Wikipedia

    en.wikipedia.org/wiki/Voice_leading

    A modern perspective on voice leading in mm. 3–7 of J. S. Bach's Little Prelude in E minor, BWV 941. From the last chord of each measure to the first chord of the next, all melodic movements (excepting those in the bass) are conjunct; inside each measure, however, octave shifts account for a more complex parsimonious voice leading. [23]

  3. Tony Rombola - Wikipedia

    en.wikipedia.org/wiki/Tony_Rombola

    Tony Rombola (born November 24, 1964) is an American musician who has been the lead guitarist for the Boston-based rock band Godsmack since the mid-1990s. He has been cited as "an extraodinaire" in the guitar world by Guitar World magazine, and is cited to be the only guitarist to keep an "original soloing style" during the nu metal period, earning him the respect of the guitar industry.

  4. Godsmack - Wikipedia

    en.wikipedia.org/wiki/Godsmack

    Godsmack is an American rock band from Lawrence, Massachusetts, formed in 1995. The band is composed of lead singer and rhythm guitarist Sully Erna , bassist Robbie Merrill , lead guitarist Tony Rombola and drummer Shannon Larkin .

  5. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    [50] [h] The standard-tuning implementation of a C7 chord is a second-inversion C7 drop 2 chord, in which the second highest note in a second inversion of the C7 chord is lowered by an octave. [ 50 ] [ 52 ] [ 53 ] Drop-two chords are used for sevenths chords besides the major–minor seventh with dominant function, [ 54 ] which are discussed in ...

  6. Voicing (music) - Wikipedia

    en.wikipedia.org/wiki/Voicing_(music)

    The second-highest voice is voice 2, etc. This nomenclature doesn't provide a term for more than one voice on the same pitch. A dropped voicing lowers one or more voices by an octave relative to the default state. Dropping the first voice is undefined—a drop-1 voicing would still have all voices in the same octave, simply making a new first ...

  7. Common tone (chord) - Wikipedia

    en.wikipedia.org/wiki/Common_tone_(chord)

    [their] treatment[s] of harmonic succession [chord progressions]" (Engebretson 2008, p. 109). It may be considered a guideline or a rule (Klauser 1890, p. 202). The example below shows a circle progression in C major, in which common tones are retained in the second voice (alto).