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Sicily consequently assumed a central role on the new trade routes from Africa. Secondly, the more affluent classes, of equestrian and senatorial rank, began to abandon urban life by retreating to their possessions in the countryside, due to the growing tax burden and the expenses they had to pay for cities.
The Monreale Cathedral Mosaics are the main internal feature of Monreale Cathedral in the city of Palermo, Sicily, Italy; the mosaics cover 6,500 m 2. It was constructed at the orders of King William II and later was beatified to the Assumption of the Virgin. The Monreale Cathedral is located in the city of Palermo, Sicily, Italy. The mosaics ...
Hector mosaic. In the first of the three rooms is a mosaic floor with scenes of the ransom of the body of Hector from Homer's epic poem, the Iliad. Only the south-west corner of the mosaic is preserved as the rest was destroyed by one of the rooms of the farm, which was later demolished in order to uncover the north section of the villa.
Fatimid arches and Byzantine mosaics complement each other within the Palatine Chapel.. The Palatine Chapel (Italian: Cappella Palatina) is the royal chapel of the Norman Palace in Palermo, Sicily.
Monreale Cathedral (Italian: Cattedrale di Santa Maria Nuova di Monreale; Duomo di Monreale) is a Catholic church in Monreale, Metropolitan City of Palermo, Sicily.One of the greatest existent examples of Norman architecture, it was begun in 1174 by William II of Sicily and is dedicated to the Nativity of the Virgin Mary.
To experience this cultural mosaic firsthand, start in Palermo, the captivating capital city on Sicily's north coast. From a breakfast of brioche and granita in a local cafe to an afternoon market ...
Basilica of San Vitale, Ravenna, 548. Italy has the richest concentration of Late Antique and medieval mosaics in the world. Although the art style is especially associated with Byzantine art and many Italian mosaics were probably made by imported Greek-speaking artists and craftsmen, there are surprisingly few significant mosaics remaining in the core Byzantine territories.
The walls display two mosaics taken from the original Norman façade, depicting King Roger II, George of Antioch's lord, receiving the crown of Sicily from Jesus, and, on the northern side of the aisle, George himself, at the feet of the Virgin. The depiction of Roger was highly significant in terms of its iconography.