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"Houdini" is a song by American indie pop band Foster the People from their debut studio album Torches. Written by the group's frontman Mark Foster, the song was first released as a promotional single exclusively in the United Kingdom on April 1, 2011. The song was released as the album's fifth single on May 15, 2012.
Torches is the debut studio album by American indietronica band Foster the People, released on May 23, 2011, by Startime International and Columbia Records.In 2010, the group parlayed the popularity of frontman Mark Foster's song "Pumped Up Kicks" into a record deal with Startime International, and wrote the album to back the song's popularity.
Foster the People is an American indie pop band formed in Los Angeles, California in 2009. Its members include founder and frontman Mark Foster and keyboardist Isom Innis. [1] [2] Foster founded the band in 2009 after spending several years in Los Angeles as a struggling musician and working as a commercial jingle writer.
It's been seven years since 2017’s album “Sacred Hearts Club" and Foster and his bandmates haven't lost a step, making thoughtful, first-rate pop for a jangled, insecure era with the 11-track ...
Mark Derek Foster (born February 29, 1984) is an American musician, singer, and songwriter, best known as the lead singer of the band Foster the People. [1] After struggling to create a successful band in his early twenties, Foster finally had his big break as the founder and frontman of Foster the People in 2009, which he formed alongside his two friends Mark Pontius and Cubbie Fink.
Dua dished that she was “fed up” with her dating life when she laid down the track in the studio, so naturally, a “little gossip” turned into a “therapy session.”
Most of the album's themes were derived from Mark Foster's personal feelings about social issues at the time of writing.. The themes and lyrics of Supermodel have been described by frontman Mark Foster as "angry", with most of the content dealing with personal issues and ideas he had during the recording of the album, [9] most of which revolves around a negative outlook on consumerism ideology ...
He has attributed his success to some of that early commercial work, telling Bloomberg in 2012, “Foster the People wouldn’t exist without Mophonics. Mophonics is kind of a creative home for me.”