Search results
Results From The WOW.Com Content Network
Transformers: Scramble City Activation (トランスフォーマー スクランブルシティ発動編, Toransufōmā: Sukuranburu Shiti Hatsudō-hen), mostly referred to as just Scramble City (スクランブルシティ, Sukuranburu Shiti) is an episode of The Transformers released as an OVA (Original Video Animation) in Japan on April 1, 1986.
Transformers One grossed $59.1 million in the United States and Canada, and $70.3 million in other territories, for a worldwide total of $129.4 million. [6] [5] In the United States and Canada, Transformers One was released alongside The Substance and Never Let Go, and was projected to gross $30–40 million from 3,978 theaters in its opening ...
A strange world of massive giants awaits Autobots and Decepticons alike. Such a situation isn't easy for those used to being among the tallest around. The Transformers need to find a way back home and one local child is the key. However, this planet is otherwise unwelcome to outsiders. If the Transformers don't hurry, they will be in big trouble.
Upon its release in 1986, Nelson Shin’s “The Transformers: The Movie” was massively influential — less as entertainment inspired by a popular line of children’s toys than one that was ...
“Transformers One” stars Chris Hemsworth, Brian Tyree Henry, Keegan-Michael Key, producer Lorenzo di Bonaventura and director Josh Cooley (“Toy Story 4”) debuted a new trailer for the ...
Ahead of the Annecy WIP screening of “Transformers One,” Variety spoke backstage with Naito, di Bonaventura, the film’s director Josh Cooley (“Toy Story 4”) and Hasbro Head of Film Zev ...
This release featured a brand-new widescreen remaster of the film, in addition to the original fullscreen version. The extras include several audio commentaries, newly produced behind-the-scenes featurettes, storyboards, commercials, and an episode from Transformers: Victory – "Scramble City: Mobilization". However, it only features audio ...
In 2012 he scored the Netflix animated series “Transformers Prime.” One theme that Tyler spent time on was his approach to D-16’s music. When audiences are first introduced to the bots, D-16 ...