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Georgia O'Keeffe, Untitled, vase of flowers, watercolor on paper, 17 + 3 ⁄ 4 in × 11 + 1 ⁄ 2 in (45.1 cm × 29.2 cm), between 1903 and 1905. O'Keeffe experimented with depicting flowers in her high school art class. Her teacher explained how important it was to examine the flower before drawing it.
The 1924 painting, a close-up of the flower with streaks of light blue and gray, [16] immerses the viewer in the blossom, and is meant to convey the way that O'Keeffe experiences it. [ 17 ] In the 1920s it was believed to be among the collection of Flora Stieglitz Strauss and possibly that of O'Keeffe in 1953.
McCracken is influenced by the Flemish Baroque school of still life where meticulous attention is paid to detail. These works of art are centered around compositions of flowers, eating utensils in the style and manner of the ontbijtje of "little breakfast", while these Flemish works were of a style of Vanitas, [7] McCraken's work is not philosophical in the sense that the subject is meant to ...
Deborah Griscom Passmore (1840–1911) was a botanical illustrator for the U.S. Department of Agriculture who specialized in paintings of fruit. Her work is now preserved in the USDA's Pomological Watercolor Collection, and she has been called the best of the early USDA artists. [1]
Georgia O'Keeffe, Untitled, vase of flowers, watercolor on paper, 17 3/4 x 11 1/2 in. (45.1 x 29.2 cm), between 1903 and 1905. She joined her family in Virginia in 1903 and completed high school as a boarder at Chatham Episcopal Institute in Virginia (now Chatham Hall) and graduated in 1905.
Pomological Watercolor Collection; Palo Duro Canyon paintings of O'Keeffe; A Panoramic View of London, from the Tower of St. Margaret's Church, Westminster; The Paying-out Machinery in the Stern of the Great Eastern; Peatery in Drenthe; Pity (William Blake) Pornocrates; Portrait of a Young Man (Iravani) Portrait of Saint Bartley Harris