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The lost second book of Aristotle's Poetics is a core plot element in Umberto Eco's novel The Name of the Rose. ... Lord, C., "Aristotle's History of Poetry ...
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.
The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, [citation needed] his writings are divisible into two groups: the "exoteric" and the "esoteric". [1]
He also famously, in book X, condemned poetry as evil, being only capable of creating deceptive and ineffectual copies of real-world corollaries. [25] In his Poetics, Aristotle taxonomized ancient Greek drama [26] (which he called "poetry") into three subcategories: epic, comic, and tragic. Aristotle developed rules to distinguish the highest ...
Aristotle (384–322 BC) second book of Poetics, dealing with comedy; On the Pythagoreans [18] Protrepticus (fragments survived) Eudemus (c. 370 BCE – c. 300 BCE) History of Arithmetics, on the early history of Greek arithmetics (only one short quote survives) History of Astronomy, on the early history of Greek astronomy (several quotes survive)
In his work Poetics, Aristotle defines an epic as one of the forms of poetry, contrasted with lyric poetry and drama (in the form of tragedy and comedy). [12] Epic poetry agrees with Tragedy in so far as it is an imitation in verse of characters of a higher type. They differ in that Epic poetry admits but one kind of meter and is narrative in form.
Book III of Aristotle's Rhetoric is often overshadowed by the first two books. While Books I and II are more systematic and address ethos , logos , and pathos , Book III is often considered a conglomeration of Greek stylistic devices on rhetoric.
Although Plato had been Aristotle's teacher, most of Plato's writings were not translated into Latin until over 200 years after Aristotle. [7] In the Middle Ages, the only book of Plato in general circulation was the first part of the dialogue Timaeus (to 53c), as a translation, with commentary, by Calcidius (or Chalcidius). [7]