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An artistic representation of the sword Glamdring based on its description in The Lord of the Rings. Glamdring (Sindarin: Foe-hammer [T 30]) is a sword in The Hobbit, The Lord of the Rings and Unfinished Tales forged in the First Age by the High Elves of the hidden city of Gondolin
In Medieval epics, heroes gave names to their weapons. The name, lineage, and power of the weapon reflected on the hero. Among the major tales are those of Sigurd the Volsung and his sword Gram that he used to kill the dragon Fafnir; [a] [1] Beowulf and the swords Hrunting and Nægling; [2] King Arthur's Excalibur, the "Sword in the Stone"; [2] Roland's Durendal; Waldere's Mimming; [2] and the ...
In Tolkien's stories, Celebrimbor was an elven-smith who was manipulated into forging the Rings of Power by the Dark Lord Sauron, in fair disguise and named Annatar ("Lord of Gifts"). Sauron then secretly made the One Ring to gain control over all the other Rings and dominate Middle-earth, setting in motion the events of The Lord of the Rings.
The Elves in the film series use curved swords, whereas the author mostly assigns such swords to Orcs and enemy Men (he mentions one Elf with a curved sword in very early writings). [49] The designers went so far as to invent new weapons, such as Arwen's Elvish sword Hadhafang ; while the design is original, the name is derived from Tolkien's ...
Magic in Middle-earth is the use of supernatural power in J. R. R. Tolkien's fictional Middle-earth.Tolkien distinguishes ordinary magic from witchcraft, the latter always deceptive, stating that either type could be used for good or evil.
Scholars note that Tolkien went through different phases in his use of heraldry; his early account of the Elvish heraldry of Gondolin in The Book of Lost Tales corresponds broadly to heraldic tradition in the choice of emblems and colours, but that later when he wrote The Lord of the Rings he was freer in his approach, and in the complex use of ...
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"The Council of Elrond" is the second chapter of Book 2 of J. R. R. Tolkien's bestselling fantasy work, The Lord of the Rings, which was published in 1954–1955.It is the longest chapter in that book at some 15,000 words, and critical for explaining the power and threat of the One Ring, for introducing the final members of the Company of the Ring, and for defining the planned quest to destroy it.