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Govardhan, Emperor Jahangir visiting the ascetic Jadrup, c. 1616–1620 [1]. Mughal painting is a South Asian style of painting on paper made in to miniatures either as book illustrations or as single works to be kept in albums (), originating from the territory of the Mughal Empire in the Indian subcontinent.
Ragini Todi. Mughal, c. 1750. Salar Jung Museum. In 1570, Kshemakarna, a priest of Rewa in Central India, compiled a poetic text on the Ragamala in Sanskrit, which describes six principal Ragas—Bhairava, Malakoshika, Hindola, Deepak, Shri, and Megha—each having five Raginis and eight Ragaputras, except Raga Shri, which has six Raginis and nine Ragaputras, thus making a Ragamala family of ...
A similar example from South India is from the late 16th century in Vijayanagar, which is also a combination of an elephant and a horse. It is difficult to ascertain the first Mughal painting of composite art, but several images have been found from the court of Akbar. These paintings were devoid of any colour and were done in pencil.
The Gulshan album was an early project of the cultured Mughal emperor Jahangir (r. 1605–1627). [7] Based on internal inscriptions, the collection was probably begun about 1599, while Jahangir was still Prince Salim, governor of Allahabad and son of the ageing Emperor Akbar, and continued till about 1609. [6]
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Ustad Mansur (died 1624) was a seventeenth-century Indian painter and naturalist who served as a Mughal court artist. During which period he excelled at depicting plants and animals. He was the earliest artist to depict the dodo in colour, apart from being the first to illustrate the Siberian crane.