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The Hurufiyya movement (Arabic: حروفية ḥurūfiyyah adjectival form ḥurūfī, 'of letters' of the alphabet) is an aesthetic movement that emerged in the second half of the twentieth century amongst artists from Muslim countries, who used their understanding of traditional Islamic calligraphy within the precepts of modern art.
In contemporary times, debate emerged on the limits of this copyist tradition within the modern art scenes, where innovation is the rule, while changing lifestyles, tools, and colors are also influencing new waves of masters. [2] [28] Chinese calligraphy is being promoted in Chinese schools to counter character amnesia brought on by technology ...
Islamic calligraphy is associated with geometric Islamic art on the walls and ceilings of mosques as well as on the page or other materials. Contemporary artists in the Islamic world may draw on the heritage of calligraphy to create modern calligraphic inscriptions, like corporate logos, or abstractions.
In modern times, calligraphy has been done frequently in the Latin-based Vietnamese alphabet, as chữ Nôm and chữ Hán have largely fallen out of use. [5] Chữ quốc ngữ calligraphy gained popularity during the New Poetry and Free Poetry Movements , due to the increasing popularity of using the Vietnamese vernacular, as well as ...
By the early postwar period in Japan, various innovative, modern styles of calligraphy had already crystallized: kindaishi bunsho (近代詩文書, calligraphy of modern poetry), shōjisūsho (少字数書, calligraphy of a few characters), and zen’ei sho (前衛書, avant-garde calligraphy increasingly divorced from written characters and ...
Hsu turned away from traditional calligraphy because he felt it was too steeped in conservatism to be relevant to contemporary Chinese society. [7] While the content and aesthetic of Hsu's works are postmodern, he maintains the traditional relationship between calligraphy and Zen practice, focusing on the act of painting as opposed to the work ...
In modern times, people often write out auspicious kanji rather than poems. School pupils up to senior high school are assigned kakizome as their winter holiday homework. Each year on January 5, several thousand calligraphers gather at the Nippon Budokan in Tokyo 's Chiyoda -ku for a kakizome event that is widely covered by media.
Nakajima Hiroyuki (中嶋宏行, born February 17, 1956) is a contemporary Japanese artist and calligrapher from Chiba, Japan.He is best known for his modern interpretation of Japanese calligraphy (shodo) which he calls Sho art, a technique which combines the traditional elements of Japanese calligraphy (shodo) with the movements of tai chi and inspired by the symbols of zen and nature. [1]