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"All Night Long (All Night)" is a song by American singer and songwriter Lionel Richie from his second solo album, Can't Slow Down (1983). The song combined Richie's Commodores style with Caribbean influences.
"All Night Long" is a song by Joe Walsh, the guitarist for the Eagles. It became one of Walsh's best charting singles. A live version of the song was included on the album Eagles Live (1980). It also appears in the soundtrack to the film Urban Cowboy (1980).
Michael Jackson had the highest number of top hits at the Billboard Hot 100 chart during the 1980s (9 songs). In addition, Jackson remained the longest at the top of the Billboard Hot 100 chart during the 1980s (27 weeks). Madonna ranked as the most successful female artist of the 1980s, with 7 songs and 15 weeks atop the chart.
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
"Give Me the Night" George Benson: 92 "Broken Hearted Me" Anne Murray: 93 "You Decorated My Life" Kenny Rogers: 94 "Tusk" Fleetwood Mac: 95 "I Wanna Be Your Lover" Prince: 96 "In America" Charlie Daniels Band: 97 "Breakdown Dead Ahead" Boz Scaggs: 98 "Ships" Barry Manilow: 99 "All Night Long" Joe Walsh: 100 "Refugee" Tom Petty and the Heartbreakers
"Touch Me (All Night Long)" is a 1984 song by American singer Fonda Rae and American band Wish. It was a minor hit for Rae and the band, and was featured in the 1985 slasher film A Nightmare on Elm Street 2: Freddy's Revenge. In the original, it is alternately spelled as "Tuch Me (All Night Long)" or simply just "Tuch Me".
Seriously, the ’60s and ’70s were all about soul and funk, while the ’80s ushered in pop and rock. And then the ’90s and early ’00s gave us some of the greatest R&B hits of all time.
"All Night Long" is a song written, arranged, and produced by American musician Rick James for the Mary Jane Girls. In the US, the song enjoyed success on the Hot Black Singles Chart, peaking at No. 11; on the Dance Chart it peaked at No. 8. But it failed to succeed with the general public, peaking at No. 101 (Billboard Bubbling Under).