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Ming furniture stresses the smoothness of lines: it looks unobtrusive, blends curves and straight lines, and creates a sense of balance and harmony. [5] This feature is particularly prominent in the Quanyi (圈椅) Circular Chairs, an example of the combination of curves and lines. Moreover, Ming furniture is noted by its ergonomic design.
Straight lines are common. [5] Paint, stains, or different kind of wood were used to create contrasting colors, which was another element of this style. [1] Japanning, a technique of varnishing which was very popular at the time, was also used on this furniture design. [5] For chairs, woven cane seats [6] and heavily-scrolled backs predominated ...
Tabletop with scalloped edges. The tables were assembled from three main components: legs (typically three), pillar, and top. The latter came in three main varieties: "plain" with smooth edges, "dished" with molded edges protruding either up to prevent sliding of items off the table (in-turned molding) or down for purely decorative purposes (descending molding), and ornate with carved and ...
This was done primarily in Southern China. The bamboo would be made by growing the plant in a prepared sheath. Bamboo was a highly valued material in Ancient China, and other woods would be carved to look like it. Furniture could also be made from dense hardwoods and softwoods. [135] Most wooden furniture in Ancient China was lacquered.
In the 18th and early 19th century, however, the term hutch or hutch table referred to a tabletop set onto a base in such a way that when the table was not in use, the top pivoted to a vertical position and became the back of a chair or wider settee; [1] [note 1] this was a very useful form at a time when many homes had a large room used for ...
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