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Thigh-high boots are considered by many a symbol of women's power, authority and sex appeal. The visual appearance of thigh-high boots depends on the length of the legs. Samantha Clark, in her book Outfits in Minutes, writes: "The shorter you are, the less leg there is above the top of the boot, when wearing footwear that ends above the knee.
[48] [49] [50] Levine also showed thigh boots in dressier fabrics like velvet, [51] as did designers like Oscar de la Renta, who presented jeweled boots to the upper thigh. [52] The tallest boots from this period were so high that they were equipped with suspenders to hold them up. [53] [54] Leather pants with their own attached foot piece and ...
Normally made of leather and hobnailed, the calceus was flat soled and typically reached the lower shin, entirely covering the foot and ankle. It was secured with crossed thongs or laces. Equivalent to a short boot or high-top shoe, it was lighter than the military caliga but sturdier than slip-on shoes like the soccus and able to easily handle ...
Thigh-high boots are more flattering on women with longer legs: "The shorter you are, the less leg there is above the top of the boot, when wearing footwear that ends above the knee. A very high heel helps to give the illusion of height, but when there is much more boot visible than leg; the effect is to optically foreshorten you." [36]
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Go-go boots as worn in London in 1969/1970. In 1966, the song "These Boots Are Made for Walkin'" was released and performed by a go-go boot wearing Nancy Sinatra, who is credited with further popularising the boot. [13] Tim Gunn suggests that Sinatra helped establish the boot as "a symbol of female power". [14]