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Keening, which can be seen as a form of sean-nós singing, is performed in the Irish and Scottish Gaelic languages (the Scottish equivalent of keening is known as a coronach). Keening was once an integral part of the formal Irish funeral ritual, but declined from the 18th century and became almost completely extinct by the middle of the 20th ...
Keening (Chaointeoireacht) songs, traditional songs of lament for the dead in the Gaelic Celtic tradition, are a form of sean-nós song in Ireland. [citation needed] Songs with a detailed narrative, such as murder ballads, are far more common in traditional English language music than sean-nós songs. Themes frequently found in Gaelic music ...
Irish dance music is isometric and is built around patterns of bar-long melodic phrases akin to call and response.A common pattern is A Phrase, B Phrase, A Phrase, Partial Resolution, A Phrase, B Phrase, A Phrase, Final Resolution, though this is not universal; mazurkas, for example, tend to feature a C Phrase instead of a repeated A Phrase before the Partial and Final Resolutions, for example.
[a] Another variant of the tune, commonly used in Irish and Scottish hymnals (including the Hymnbooks of the Church of Scotland), fits the 10.10.10.10 metre and is not suitable for "Lord of all Hopefulness". [4] [a] The tune has its origin as a traditional Irish tune, principally 'With my Love on the Road', [5] also known as 'The Banks of the ...
MacGowan died Nov. 30 at the age of 65 after a lifetime of drinking, carousing and writing songs that fused Irish traditional music with the spirit of punk. Mourners at the service, in MacGowan's ...
These songs can be grouped as: aislings, broken token songs, night visiting songs, modern songs, etc. "The Agricultural Irish Girl" – words and music by J F Mitchell, 1885, probably composed in America. Recorded by Val Doonican, among many others. [15]
Sinéad O’Connor joins The Chieftains in performing this traditional Irish folk song written about the 1916 Easter Rebellion. A marching tune and requiem for the valiant men lost to war, it's a ...
Caoineadh Airt Uí Laoghaire or the Lament for Art Ó Laoghaire is an Irish keen composed in the main by Eibhlín Dubh Ní Chonaill, a member of the Gaelic gentry in the 18th century, who was born in County Kerry and lived near Macroom, County Cork, after her marriage to Art.