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Candy Dulfer in 2002 Candy Dulfer in 2016. Dulfer was born on 19 September 1969 in Amsterdam, Netherlands. [1] She began playing the drums at the age of five. [2] As a six-year-old, she started to play the soprano saxophone.
Saxuality is the debut album by Dutch alto saxophonist Candy Dulfer.Some versions of the album include the worldwide hit single "Lily Was Here" with Dave Stewart.The mainly instrumental album debuted on No. 4 in the Dutch album chart and was certified Gold. [2]
"Lily Was Here" is an instrumental duet by English musician David A. Stewart and Dutch saxophonist Candy Dulfer. It was released as a single in 1989 from the soundtrack of the same name for the Dutch movie De Kassière, also known by the English title Lily Was Here. The song reached number one in the Netherlands and became a top-twenty hit in ...
The title track from the soundtrack, an instrumental duet between Stewart playing guitar and Candy Dulfer on saxophone, who also features on and co-wrote three of the other tracks, was released as a single and charted in numerous countries including reaching number one in the Netherlands for four weeks, [2] number 6 in the UK Singles Chart [3 ...
Dutch women jazz saxophonists (4 P) Pages in category "Dutch jazz saxophonists" The following 16 pages are in this category, out of 16 total.
Foot Loose & Fancy Free (1977) featured Stewart's own band, the original Rod Stewart Group that featured Carmine Appice, Phil Chen, Jim Cregan, Billy Peek, Gary Grainger and John Jarvis. It continued Stewart's run of chart success, reaching number two. "You're in My Heart" was the hit single, reaching number four in the US. [84]
Amy Belle (born 1981) is a Scottish singer. She is best known for her duet with Rod Stewart on "I Don't Want To Talk About It" during his concert at the Albert Hall in October 2004. [1]
[24] In 1994, Stewart recorded Beautiful Love Ballads for Red Records of Italy; [26] it was released in 1998. [27] Stewart's first album for Quincy Jones's Qwest Records was In the Gutta, in 1996. [17] Saxophonist Dave Liebman, on hearing it, reported enthusiastically that Stewart sounded like a player from an older generation. [28]