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The six-part fugue in the "Ricercar a 6" from The Musical Offering, in the hand of Johann Sebastian BachIn classical music, a fugue (/ f juː ɡ /, from Latin fuga, meaning "flight" or "escape" [1]) is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches ...
Musical form unfolds over time through the expansion and development of these ideas. In tonal harmony, form is articulated primarily through cadences, phrases, and periods. [2] "Form refers to the larger shape of the composition. Form in music is the result of the interaction of the four structural elements," of sound, harmony, melody, and ...
For example, the C-major fugue from J. S. Bach’s The Well-Tempered Clavier, Book 1 (BWV 846) opens with an initial succession of statements of the subject, each at a distance of six beats: Bach Fugue in C WTC1 opening bars Bach Fugue in C BWV 846 opening bars. As the musical argument proceeds, the gap between the entries closes to two beats:
Organum – Early form of polyphonic music involving the addition of one or more voices to a preexisting chant. Planctus – Composition mourning the death of a notable figure, often in a liturgical context, similar in function to a dirge. Rondeau – French poetic-musical form. Trecento Madrigal – Secular polyphonic vocal composition.
A prelude and fugue is a musical form generally consisting of two movements in the same key for solo keyboard. In classical music , the combination of prelude and fugue is one with a long history. Many composers have written works of this kind.
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
Additionally, they can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). [2] It corresponds to the call and response pattern in human communication and is found as a basic element of musical form, such as the verse-chorus form, in many traditions.
In music, an invention is a short composition (usually for a keyboard instrument) in two-part counterpoint. (Compositions in the same style as an invention but using three-part counterpoint are known as sinfonias. Some modern publishers call them "three-part inventions" to avoid confusion with symphonies.)