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The veneration of St Genesius continues today, and the actor-martyr is considered the patron of actors and acting societies, including those that assist actors. The British Catholic Stage Guild regards him as their patron saint , and the Shrine of St. Genesius in Saint Malachy's Roman Catholic Church in the New York City Borough of Manhattan ...
An ivory statuette of a Roman actor of tragedy, 1st century. A Roman actor playing Papposilenus, marble statue, c. 100 AD, after a Greek original from the 4th century BC. No early Roman tragedy survives, though it was highly regarded in its day; historians know of three early tragedians—Ennius, Pacuvius and Lucius Accius. One important aspect ...
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According to the epitaph on her tomb, which was written by her father, she was a star of the Theatre of ancient Rome. [1] She is one of the few ancient actresses known to have achieved fame and respect in her profession during the Roman Republic. Eucharis would most likely have primarily performed as a dancer, as few other roles were open to ...
No other Roman actor obtained comparable popularity and esteem. So highly was he regarded that even his pupils were assured of success on the boards. The refined Greek method of acting was currently out of vogue in favor of coarser fodder, but Roscius overturned this view, demonstrating that the highest art lies in moderation, not clown-like ...
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Gaius Ummidius Actius Anicetus was a Roman pantomime actor who lived in Pompeii. [1] [2] Actius is attested in an inscription from Puteoli that identifies him as a pantomime actor. [3] The possibility has been raised that Actius may be the freedman (libertus) of Ummidia Quadratilla who is discussed in the letters of Pliny the Younger.