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The American Folkways is a 28-volume series of books, initiated and principally edited by Erskine Caldwell, and published by Duell, Sloan and Pearce from 1941 to 1955. [1] Each book focused on a different region, or "folkway", of the United States, including documentary essays and folklore from that region. [ 2 ]
Native American cultures are numerous and diverse. Though some neighboring cultures hold similar beliefs, others can be quite different from one another. The most common myths are the creation myths, which tell a story to explain how the earth was formed and where humans and other beings came from. Others may include explanations about the Sun ...
A companion to the American South. Malden, Massachusetts: Blackwell. ISBN 0-631-21319-8. Botkin, B. A. A Treasury of Southern Folklore: Stories, Ballads, Traditions, and Folkways of the People of the South (1949) Cash, W. J. The Mind of the South (1941) Cobb, James C. Away Down South : A History of Southern Identity (2005)
In a car-dependent America, there is a common dislike of car dealerships and car salesmen, with only 10 percent of U.S. citizens in a Gallup poll rating them highly honest. [259] Matilda by Roald Dahl gives an example of this stereotype: Matilda's father sells used cars by filling their engines with sawdust or reversing their odometers with a ...
While different ethnic groups may display their own insular cultural aspects, throughout time a broad American culture has developed that encompasses the entire country. Developments in the culture of the United States in modern history have often been followed by similar changes in the rest of the world ( American cultural imperialism ).
American folk dances (3 C, 12 P) F. Folk festivals in the United States (8 C, 142 P) American folklore (21 C, 144 P) M. Folk museums in the United States (2 C, 6 P)
The most common architectural house and home styles in America include colonial, Cape Cod, ranch, and more. Learn how to identify these house styles.
The Smithsonian Folkways Record label comprises a second team working at the center; they produce this non-profit music label with the goal of promoting and supporting the cultural diversity of sound. The third team at CFCH manages and curates the Ralph Rinzler Folklife Archives and Collections.