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"Don't Leave Me" is a song by American R&B group Blackstreet, produced by Teddy Riley and released in February 1997 as the third single from their second album, Another Level (1996). It contains a sample of the DeBarge song " A Dream ", also used in " I Ain't Mad at Cha " by Tupac Shakur.
"Don't Leave Me" debuted on the Oricon Weekly Digital Singles chart in Japan at number 28, with 4,611 digital copies sold for the period dated April 2–8. [5] In the United States, it topped the Billboard World Digital Song Sales chart issue dated April 14, 2018, [6] with 9,000 copies sold, marking BTS' fifth-biggest sales debut for a song and sixth-biggest sales week overall.
Another Level is the second studio album by American R&B group Blackstreet.Released in September 10, 1996, it was the first album with new members Eric Williams and Mark Middleton. [8]
Don't Leave Me This Way" is a song written by Kenneth Gamble, Leon Huff and Cary Gilbert. It was originally released in 1975 by Harold Melvin & the Blue Notes featuring Teddy Pendergrass , an act signed to Gamble & Huff's Philadelphia International label.
"Don't Leave Me (Ne Me Quitte Pas)" is a song by Regina Spektor, from her 2012 album What We Saw from the Cheap Seats. It was released as the album's second single on March 26, 2012. It was released as the album's second single on March 26, 2012.
"Don't Leave Me", a 2016 song by Moby and the Void Pacific Choir from These Systems Are Failing "Don't Leave Me" (BTS song) , 2018 "Don't Leave Me", a 2021 song by Kodak Black from Haitian Boy Kodak
"Don't Leave Me Now" is a song by Belgian DJ Lost Frequencies and French DJ Mathieu Koss. It was released on 31 July 2020 via Armada Music. [1] The song was written by Felix De Laet, Joren van der Voort, Christon Kloosterboer, Dalton Dielh, Mathieu Bordaraud and Peter Hanna, and produced by De Laet and Bordaraud.
"Please Don't Leave Me" is a song from American singer Pink and the third single taken from her fifth studio album Funhouse. It was released on February 16, 2009. The song received strong airplay in Australia and New Zealand, as well as being added to the BBC Radio 1 A-List playlist in the UK.