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An anecdote [1 ] [2] is "a story with ... feature of literary works [6] and even oral anecdotes typically involve subtle ... notable examples than the typical example ...
Anecdotes may be real or fictional; the anecdotal digression is a common feature of literary works and even oral anecdotes typically involve subtle exaggeration and dramatic shape designed to entertain the listener.
In its original sense, a shaggy-dog story or yarn is an extremely long-winded anecdote characterized by extensive narration of typically irrelevant incidents and terminated by an anticlimax. In other words, it is a long story that is intended to be amusing and that has an intentionally silly or meaningless ending.
Accurate determination of whether an anecdote is typical requires statistical evidence. [19] Misuse of anecdotal evidence in the form of argument from anecdote is an informal fallacy [20] and is sometimes referred to as the "person who" fallacy ("I know a person who..."; "I know of a case where..." etc.) which places undue weight on experiences ...
An anecdote is a short and amusing or interesting story about a biographical incident. It may be as brief as the setting and provocation of a bon mot. An anecdote is always presented as based on a real incident involving actual persons, whether famous or not, usually in an identifiable place; whether authentic or not, it has verisimilitude or ...
The short story is one of the oldest types of literature and has existed in the form of legends, mythic tales, folk tales, fairy tales, tall tales, fables, and anecdotes in various ancient communities around the world. The modern short story developed in the early 19th century. [1]
Literary legend: Moments for the culture Giovanni's talk with James Baldwin and her 'Thug Life' tattoo. But, Giovanni's name was never in the grocery store magazines (her ultimate measure of fame
Christopher Hart, from Literary Review, called "[t]he inclusion of some of the recollections...baffling," and noted that Brandreth is "reliably funny." [3] Yorkshire Magazine's Sandra Collard noted that the reader "need[s] to be an avid reader and an even more avid theatregoer to appreciate even a soupçon..of anecdotes," and noted that "[t]he prologue of the book is a mini masterpiece in itself."