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For Shakespeare, as he began to write, both traditions were alive; they were, moreover, filtered through the recent success of the University Wits on the London stage. By the late 16th century, the popularity of morality and academic plays waned as the English Renaissance took hold, and playwrights like Thomas Kyd and Christopher Marlowe revolutionised theatre.
The source for most of the English history plays, as well as for Macbeth and King Lear, is the well-known Raphael Holinshed's Chronicles of English history. The source for the Roman history plays is Plutarch's Lives of the Noble Grecians and Romans Compared Together, in the translation made by Sir Thomas North in 1579. Shakespeare's historical ...
In the following list, figures are listed by the name of the character, as it appears in Shakespeare's plays, and includes a narrative of the role of the character in the play: which may, or may not, reflect the role of the figure in history. The list contains duplicates: for example, Henry Percy, Earl of Northumberland will be found listed ...
Shakespeare's plays; Title Year written First publications Performances Authorship notes Antony and Cleopatra: 1601–1608 First published in the First Folio: Believed to have been performed between 1606 and 1608. Summary In a setting soon after Julius Caesar, Marc Antony is in love with Cleopatra, an Egyptian queen.
Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England, they were classified as "histories" in the First Folio.
The Shakespearean histories are biographies of English kings of the previous four centuries and include the standalones King John, Edward III and Henry VIII as well as a continuous sequence of eight plays. Shakespeare was living in the reign of Elizabeth I, the last monarch of the House of Tudor, and his history plays are often regarded as ...
The term Henriad was popularized by Alvin Kernan in his 1969 article, "The Henriad: Shakespeare’s Major History Plays" to suggest that the four plays of the second tetralogy (Richard II; Henry IV, Part 1; Henry IV, Part 2; and Henry V), when considered together as a group, or a dramatic tetralogy, have coherence and characteristics that are the primary qualities associated with literary epic ...
For example, adaptations of Shakespeare's plays, including his histories, were extremely popular. [16] In the eighteenth century, Joseph Addison's neo-classical Cato, a Tragedy could be classified as a history play according to the same broad, generalized definition that would apply to Shakespeare's Julius Caesar.