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The entire handwritten score for the Monotone-Silence Symphony, showing the extreme sparsity of the work. The Monotone-Silence Symphony (French: Symphonie Monoton-Silence) is a piece of minimalist music by the French artist Yves Klein. It consists of 20 minutes of an orchestra performing the chord of D major, followed by a 20 minute silence. [1 ...
Monotone-Silence Symphony (1949), by Yves Klein; in two movements, a single 20-minute sustained chord followed by a 20-minute silence [7] 4′33″ (1952) by John Cage (1912–1992) silent; in three movements lasting a total of four minutes and 33 seconds, for any instrument or combination of instruments. 4'33" No. 2 (1962) by John Cage
full title: Symphony for Cello and Orchestra Op. 68. Premiered 1964 Stephen Brown: The Northern Journey: Yevgeny Brusilovsky: 3: The Golden Steppe: 1944: 6: On a Theme of Kurmangazy: 1965: Anton Bruckner: 00: F minor: 00: student work written prior to No. 1 0: D minor: Nullte: written after No. 1 and before No. 2 2: C minor: Symphony of Pauses ...
Yves Klein (French: [iv klɛ̃]; 28 April 1928 – 6 June 1962) was a French artist and an important figure in post-war European art.He was a leading member of the French artistic movement of Nouveau réalisme founded in 1960 by art critic Pierre Restany.
The Symphony No. 3 (also known as Symphony No. 3 "Silence") is the third symphony by the Scottish composer James MacMillan. The piece was first performed on April 17, 2003 in NHK Hall, Tokyo, by the NHK Symphony Orchestra under the conductor Charles Dutoit. [1]
The symphony opens with a broad introduction in a form which is reminiscent of the French overture in two parts, the first slow and dramatic, the second more lyrical. This leads into the Allegro con brio, which is remarkable for its charm and the interplay of solo clarinet with syncopated strings, which developed pp from within the bounds of the style of chamber music to the larger sphere of ...
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4, compound ternary form, with a trio initially in A ♭ major. Compared to the standard minuet & trio form, there is an additional transition to the main minuet after the binary form trio section.) The movement uses a theme borrowed from the second movement of Mendelssohn's Viola Sonata , composed a year prior, which shares the same tempo marking.