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The entire handwritten score for the Monotone-Silence Symphony, showing the extreme sparsity of the work. The Monotone-Silence Symphony (French: Symphonie Monoton-Silence) is a piece of minimalist music by the French artist Yves Klein. It consists of 20 minutes of an orchestra performing the chord of D major, followed by a 20 minute silence. [1 ...
Monotone-Silence Symphony (1949), by Yves Klein; in two movements, a single 20-minute sustained chord followed by a 20-minute silence [7] 4′33″ (1952) by John Cage (1912–1992) silent; in three movements lasting a total of four minutes and 33 seconds, for any instrument or combination of instruments. 4'33" No. 2 (1962) by John Cage
full title: Symphony for Cello and Orchestra Op. 68. Premiered 1964 Stephen Brown: The Northern Journey: Yevgeny Brusilovsky: 3: The Golden Steppe: 1944: 6: On a Theme of Kurmangazy: 1965: Anton Bruckner: 00: F minor: 00: student work written prior to No. 1 0: D minor: Nullte: written after No. 1 and before No. 2 2: C minor: Symphony of Pauses ...
September 4 – Daniel Godfrey, bandleader and composer (died 1903) September 5 – Victorien Sardou, librettist (died 1908) December 10 – Philippe Gille, opera librettist (d. 1901) December 25 – Johann von Herbeck, composer and musician (died 1877) date unknown. Julius Gerber, composer (died 1883)
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The Symphony No. 3 (also known as Symphony No. 3 "Silence") is the third symphony by the Scottish composer James MacMillan. The piece was first performed on April 17, 2003 in NHK Hall, Tokyo, by the NHK Symphony Orchestra under the conductor Charles Dutoit. [1]
Such inflection was easily obtained by causing the voice at the middle and end of every psalm-verse to wander away from the monotone to some adjacent scale-degree. [ 1 ] The Annotated Book of Common Prayer similarly notes that (according to Saint Augustine ) Saint Athanasius discouraged variance in note in liturgical recitation, but that ...
4, compound ternary form, with a trio initially in A ♭ major. Compared to the standard minuet & trio form, there is an additional transition to the main minuet after the binary form trio section.) The movement uses a theme borrowed from the second movement of Mendelssohn's Viola Sonata , composed a year prior, which shares the same tempo marking.